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Aesthetics --- Esthétique --- Dictionaries --- French --- Dictionnaires français --- Dictionnaire --- -Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- -French --- Psychology --- French. --- -Dictionaries --- Esthétique --- Dictionnaires français --- Beautiful, The --- Dictionaries&delete& --- Radio broadcasting Aesthetics --- Aesthetics - Dictionaries - French

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This volume explores some of the more important of Hans-Georg Gadamer's extensive writings on art and literature. These essays focus particularly on the challenge issued by modern painting and literature to our customary ideas of art, and in turn revitalise our understanding of it. They are readily accessible to beginning students and general readers.

Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Aesthetics. --- Radio broadcasting Aesthetics

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Ce volume représente un pari : il s’agit d’interroger la pluralité de l’esthétique sans la réduire à la variabilité des point de vue sur les œuvres de l’art. C’est donc l’idée esthétique elle-même dont on entend ici évoquer les visées contraires. Pour cela, on a choisi d’engager une démarche qui serait elle-même plurielle : aborder le principe de création ou l’expérience de beauté selon un angle conceptuel à chaque fois différent, qui permette de croiser, autour du rapport à l’œuvre d’art, le rejet ou l’invocation de la subjectivité, la référence au possible ou à l’imaginaire, la mesure de l’échec ou la loi de l’exaltation, le suspens ou le réancrage de l'historicité : bref, la loi de l’œuvre et la recherche d’une règle. À travers Kant ou Valéry, entre Benjamin et Kafka, de l’idée musicale à l’expérience poétique, le paradoxe de l’art décline ainsi ses variantes. Il se prolonge dans la démarche d’une jeune artiste faisant courir, de texte en texte, la trace minimaliste d’un mode sériel d’exploration.

Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- musique --- cinéma

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Few philosophers agree about what it is for something to be art but most or all agree that art must be somehow intention-dependent. Mag Uidhir shows that this requirement has radical implications for the nature of art and of art forms, for the ontology of art, and for issues about authorship.

Art --- Authorship --- Art d'écrire --- Philosophy. --- Philosophie --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation

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The subject of the book is the organic link that connects the two thematic sides that define the field of Aesthetics: the theory of perception and reflection on the arts. The apparent redundancy contained in the title intends to underline how the interweaving between perception and the work of art is structural and organic, thus recalling the theoretical urgency of this problem for an effective understanding of the dynamics of the meaning of art as a "symbolic form" in which the relationship between mind and world is embodied in an exemplary way. The volume is divided into three parts. The first presents nuclei of reflection arising from contemporary perspectives "outside the chorus". The second deals with different frameworks of perception theory.

Perception (Philosophy). --- Art --- Philosophy. --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy --- Analysis, interpretation, appreciation --- Filosofia --- Estetica --- Arte --- Saggi